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#1
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.... ![]() ![]() ![]() ![]() Група: Потребители Коментари: 617 Регистриран: 17-February 05 Потребител N: 747 ![]() |
Кои Египетски Богове знаете и какво по - точно знаете за тях? Ако искате , може да споделите дадени притчи , които знаете за тях...
![]() Сега ще напиша само един от тези, които аз знам ![]() Бог Ра - Бог на слънцето, също така смятан от Растафарите за животодаряваща сила..( Повече за Растафарията ) По - късно другите ![]() Моля за сериозно отношение към темата! |
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#2
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![]() Badmotorfinger ![]() ![]() ![]() ![]() Група: Потребители Коментари: 598 Регистриран: 6-January 05 Потребител N: 713 ![]() |
Виж какво намерих (извинявам се, че е на английски и е толкова дълго, ама...)
Цитат Much of Lovecraft's work was directly inspired by his nightmares, and it is perhaps this direct insight into the subconscious and its symbolism that helps to account for their continuing resonance and popularity. All these interests naturally led to his deep affection for the works of Edgar Allan Poe, who heavily influenced his earliest macabre stories and writing style. Lovecraft's discovery of the stories of Lord Dunsany moved his writing in a new direction, resulting in a series of imitative fantasies in a "Dreamlands" setting. It was probably the influence of Arthur Machen, with his carefully constructed tales concerning the survival of ancient evil, and his mystic beliefs in hidden mysteries which lay behind reality, that finally helped inspire Lovecraft to find his own voice from 1923 onwards. This took on a dark tone with the creation of what is today often called the Cthulhu Mythos, a pantheon of alien extra-dimensional deities and horrors which predate mankind, and which are hinted at in aeon-old myths and legends. The term Cthulhu Mythos was coined by Lovecraft's correspondent and fellow author, August Derleth, after Lovecraft's death; Lovecraft referred to his artificial mythology as "Yog-Sothothery"[1] (http://www.sff.net/people/timpratt/611.html). His stories created one of the most influential plot devices in all of horror: the Necronomicon, the secret grimoire written by the mad Arab Abdul Alhazred. The resonance and strength of the Mythos concept have led some to believe that Lovecraft had based it on actual myth, and faux editions of the Necronomicon have also been published over the years.
His prose is somewhat antiquarian. He was fond of heavy use of unfamiliar adjectives such as "eldritch", "rugose", "noisome", "squamous", and "cyclopean", and of attempts to transcribe dialect speech which have been criticized as inaccurate. His works also featured British English (he was an admitted Anglophile), and he sometimes made use of anachronistic spellings, such as "compleat/complete", "lanthorn/lantern", and "divers/diverse". Lovecraft was a prolific letter writer, inscribing multiple pages to his group of correspondents in small longhand. He sometimes dated his letters 200 years before the current date, which would have put the writing back in U.S. colonial times, before the American Revolution that offended his Anglophilia. He explained that he thought that the 18th and 20th centuries were the best; the former being a period of noble grace, and the latter a century of science. In his view, the 19th century, particularly the Victorian era, was a "mistake". Members of Lovecraft's original circle included writers such as Robert Bloch and Frank Belknap Long, who drew influence from and contributed to the Mythos. Many later creators of horror writing and films show influences from Lovecraft, including Clive Barker and H. R. Giger. Others, notably Clark Ashton Smith, August Derleth, Neil Gaiman, Stephen King, Alan Moore, and Brian Lumley, have written stories that are explicitly set in the same "universe" as Lovecraft's original stories. Lovecraft pastiches are common. For more examples of the Mythos in popular culture, see References to the Cthulhu Mythos. -------------------- Get a gun & have fun !
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